Enrique Esquinas

• 2012-05-29

  Source: vimeo.com

• 2012-02-08

  kayleeeighh:

  first world problems

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  Source: epic-humor

• 2012-02-01

  

  tastefullyoffensive:

  via

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  Source: tastefullyoffensive

• 2012-01-17

  

  instantjoy:

  Remember….

  Source: instantjoy

• 2012-01-09

  

  Paris flashback in Casablanca.

  Source: whereisthecoool

• 2011-11-17

  I’ll tell you this little story. There’s something inherently cinematic about it. I run in my neighbourhood, and one day I ran past this guy running in the other direction: an older guy, a big hulky guy. He was struggling, huffing and puffing. I was going down a slight hill and he was coming up. So he passes me and he says: “Well, sure, it’s all downhill that way.” I loved that joke. We made a connection. So I had it in my head that this is a cool guy, and he’s my friend now.

  A few weeks later, I’m passing him again, and I’m thinking: “There’s the guy that’s cool.” As we pass each other, he says: “Well, sure, it’s all downhill that way.” So I think: “Oh, OK. He’s got a repertoire. I’m not that special. He’s probably said it to other people, maybe he doesn’t remember me … but OK.” I laughed, but this time my laugh was a little forced.

  Then I pass him another time, and he says it again. And this time he’s going downhill and I’m going uphill, so it doesn’t even make sense. And I started to feel pain about this, because I’m embarrassed for him and I think maybe there’s something wrong with him. And then it just keeps happening. I probably heard it seven or eight more times. I started to avoid him.

  I like the idea that the story changes over time even though nothing has changed on the outside. What’s changed is all in my head and has to do with a realisation on my character’s part. And the story can only be told in a particular form. It can’t be told in a painting. The point is: it’s very important that what you do is specific to the medium in which you’re doing it, and that you utilise what is specific about that medium to do the work. And if you can’t think about why it should be done this way, then it doesn’t need to be done.

  — ~ Charlie Kaufman: How to Write a Story | Film | The Guardian (via auspices)

  (via directingfilm)

  Source: Guardian

• 2011-11-06

  

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  Source: toocooltobehipster

• 2011-10-13

  

  Source: whereisthecoool

• 2011-08-06

  

  Latest wallpaper: Blue Screen of Death (download here) 

• 2011-07-26

  

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  Source: mystupidityinfectseverything

• 2011-06-20

  

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  Source: iveheardeverything

• 2011-06-19

  With a good script, a good director can produce a masterpiece. With the same script, a mediocre director can produce a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. The script must be something that has the power to do this.

  — Akira Kurosawa (via directingfilm)

  Source: directingfilm

• 2011-06-13

• 2011-06-12

  

• 2011-06-10